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21 reviewsThis volume examines a range of medieval and early modern approaches to authenticity in literature, asking how authenticity was defined, privileged, constructed, and contested in the periods covered.
Essays trace the shifting status of authenticity across four literary categories which most test the concept of premodern authenticity: forgeries, histories, translations, and continuations. Contributions engage with works across Latin, Greek, English, French, and Irish, and set authenticity in conversation with medieval and modern perspectives on authority, truth, and morality.