logo
Product categories

EbookNice.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link.  https://ebooknice.com/page/post?id=faq


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookNice Team

(Ebook) Visible Deeds of Music: Art and Music from Wagner to Cage by Simon Shaw-Miller ISBN 9780300083743, 9780300107531, 0300083742, 0300107536

  • SKU: EBN-2203902
Zoomable Image
$ 32 $ 40 (-20%)

Status:

Available

0.0

0 reviews
Instant download (eBook) Visible Deeds of Music: Art and Music from Wagner to Cage after payment.
Authors:Simon Shaw-Miller
Pages:305 pages.
Year:2002
Editon:1
Publisher:Yale University Press
Language:english
File Size:1.27 MB
Format:pdf
ISBNS:9780300083743, 9780300107531, 0300083742, 0300107536
Categories: Ebooks

Product desciption

(Ebook) Visible Deeds of Music: Art and Music from Wagner to Cage by Simon Shaw-Miller ISBN 9780300083743, 9780300107531, 0300083742, 0300107536

A study of the relationship between music and the visual arts in the late-19th and 20th centuries, focusing on the modernist period. Reassessing the work of composers and artists such as Richard Wagner, Pablo Picasso, Paul Klee, Josef Matthias Hauer and John Cage, Simon Shaw-Miller argues that despite modernism's advocacy of media purity and separation, the boundaries between art and music were permeable at this time, as they have been throughout history. Shaw-Miller begins by discussing the place of Wagner's music and ideas at the time of the birth of modernism, presenting Wagner's aesthetic of the "Gesamtkunstwerk" as an alternative paradigm for modernist art. He goes on to analyze Picasso's use of musical subjects in his cubist works and Klee's adoption of music and the issue of temporality in his paintings and drawings. He concludes with the radical aesthetic of Cage, the silencing of sound, and the promotion of intermediality in the work of Fluxus artists. Through these examples, Shaw-Miller raises questions about both art and music history that should be of interest to students of both disciplines.
*Free conversion of into popular formats such as PDF, DOCX, DOC, AZW, EPUB, and MOBI after payment.

Related Products