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(Ebook) Theatre Arts on Acting 1st Edition by Laurence Senelick ISBN 9780415774925 0415774926

  • SKU: EBN-4725174
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Authors:Laurence Senelick
Pages:552 pages.
Year:2008
Editon:1
Publisher:Routledge
Language:english
File Size:1.87 MB
Format:pdf
ISBNS:9780415774925, 0415774926
Categories: Ebooks

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(Ebook) Theatre Arts on Acting 1st Edition by Laurence Senelick ISBN 9780415774925 0415774926

(Ebook) Theatre Arts on Acting 1st Edition by Laurence Senelick - Ebook PDF Instant Download/Delivery: 9780415774925, 0415774926
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ISBN 10: 0415774926
ISBN 13: 9780415774925
Author: Laurence Senelick

During its fifty year run, __Theatre Arts Magazine__ was a bustling forum for the foremost names in the performing arts, including Stanislavski, Laurence Olivier, Lee Strasberg, John Gielgud and Shelley Winters. Renowned theatre historian Laurence Senelick has plundered its stunning archives to assemble a stellar collection of articles on every aspect of acting and theatrical life.

(Ebook) Theatre Arts on Acting 1st Edition Table of contents:

Part I: Acting in the American Tradition

  1. Acting and the New Stagecraft

  2. The Place of the Actor in “The New Movement”

  3. Billets-doux

  • To a Well-Dressed Wretched Young Lady

  • To an Actress Warming Her Hands

  • To the Victim of a Long Run

  • To an Actor Who Desires to Act Parts with a Grand Style

  • To an Actor on Kidding

  • To One Who Is Apologetic

  • To an Actress Who Wishes to Get Herself in Place

  1. Paul Muni: A Profile and a Self-Portrait

  2. Margaret Sullavan

  3. Comedienne from Radcliffe: Josephine Hull

  4. Laurette Taylor

  5. Seven Interviews in Search of Good Acting

  • Brown Adams

  • Herbert Berghof

  • Stella Adler

  • Sanford Meisner

  • Erwin Piscator

  • Lee Strasberg

  • Vera Soloviova

  1. That Wonderful, Deep Silence

  2. Shakespeare and the American Actor

  3. Geraldine Page: The Irony of a Legend

  4. Jason Robards, Jr.

  5. George C. Scott

  6. Maureen Stapleton

  7. Dear Diary . . .

  • Dear Diary: (Ugh!)

  • Sunday, February 5th

  • Monday, February 6th

  • Tuesday, February 7th

  • Wednesday, February 8th

  • Thursday, February 9th

  • Friday, February 10th

  • Saturday, February 11th

  • Sunday, February 12th

  • Monday, February 13th

  • Tuesday, February 14th

  • Wednesday, February 15th

  • Thursday, February 16th

  • Friday, February 17th

  • Saturday, February 18th

  • Sunday, February 19th

  • Monday, February 20th

  • Tuesday, February 21st

  • Wednesday, February 22nd

  • Thursday, February 23rd

  • Friday, February 24th

  • Saturday, February 25th

  • Sunday, February 26th

  • The Opening, February 27th

  • May 1st

  1. Julie Harris

Part II: The British Legacy

  1. A Crux in English Acting

  2. Acting in My Time

  • I

  • II

  • III

  • IV

  • V

  1. An Artist’s Apprenticeship: Chapters from an Autobiography

  • 1904–1914: "Overture, Beginners"

  • 1914–1922

  • 1922

  • 1923

  • 1926

  • 1928

  • 1929

  • 1930

  1. The Gielgud Macbeth

  2. John Gielgud: Actor

  3. The Actor as Biographer: Wilfrid Lawson

  4. Gertrude Lawrence

  5. The Oliviers

  6. Sir Laurence and Larry

  7. Shaw and the Actor: Interviews with Rex Harrison and Siobhán McKenna

  • Rex Harrison on Henry Higgins

  • Siobhán McKenna on Saint Joan

  1. An Actor Stakes His Claim

  2. Albert Finney

Part III: Foreign Modes of Performance

  1. How Reinhardt Works with His Actors

  2. The Month of Duse (Excerpts)

  3. Eleonora Duse: The Last Phase

  4. Giovanni Grasso

  5. Mei Lan-Fang

  6. Between Curtains: The Acting of the Abbey Theatre

  7. The Actor and the Revolution

  • I

  • II

  • III

  • IV

  1. Child of Silence

  2. Louis Jouvet: The Triumph of Deceit

  3. Lotte Lenya

Part IV: Stanislavsky and His Followers

  1. Stanislavsky to His Players

  2. Perspective in Character Building

  3. Fundamentals of Acting

  4. An Actor Prepares: A Comment on Stanislavsky’s Method

  5. An Actor Prepares: Comments on Stanislavsky’s Method

  • by Robert Sherwood

  • by Harold Clurman

  • by Norris Houghton

  1. The Group Theatre: In Its Tenth Year – A Critical Estimate

  2. The Actor’s Lab

  3. Past Performances

  4. An Actor Must Have Three Selves

  5. A Study of the Actors Studio

  6. A Point of View and a Place to Practice It

  7. Wanted: More Stars, Less “Method”

Part V: The Actor and His Role

  1. The Actor Attacks His Part: Lynn Fontanne and Alfred Lunt

  • Lynn Fontanne

  • Alfred Lunt

  1. A Play in the Making: The Lunts Rehearse Amphitryon 38

  2. The Actor Attacks His Part: Nazimova

  3. The Actor Attacks His Part: Katharine Cornell

  4. The Actor Attacks His Part: Burgess Meredith

  5. The Actor-Dancer Attacks His Part: Fred Astaire

  6. The Singing Actress Attacks Her Part: Lotte Lehmann

  7. Great Roles Reborn: Bette Davis Tells Ramon Romero How Regina, The Old Maid, and Miss Moffat Came to the Screen

Part VI: Technical Matters

  1. The Voice in the Theatre

  2. Illusion in Acting

  3. The Lazy Actor

  4. Type-Casting: The Eighth Deadly Sin

  5. The Moribund Craft of Acting

  6. Speak the Speech, I Pray You

  7. Notes on Film Acting

  8. The Actor as Thinker

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Tags: Laurence Senelick, Theatre Arts, Acting

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