Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.
Please read the tutorial at this link. https://ebooknice.com/page/post?id=faq
We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.
For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.
EbookNice Team
Status:
Available4.6
36 reviews
ISBN-10 : 0838642071
ISBN-13 : 9780838642078
Author: Andrew Schopp, Matthew B. Hill
Schopp (English, Nassau Community College) and Hill (English, Coppin State U.) present 12 papers exploring how the September 11th, 2001, attacks on the World Trade Center and the Pentagon and the subsequent "War on Terror" have been reflected in and responded to by American popular culture. Topics include media as the cultural front in the "War on Terror" and the "War on Drugs;" Tom Clancy, the television show 24, and the language of autocracy; the spectacle of global heroism in Superman Returns; comedy's response to September 11th; oppositional voices to the "War on Terror" in hip-hop; representations of terror in the post-September 11th zombie film; and interrogations of the manipulation of fear in the films V for Vendetta, Batman Begins, and Good Night and Good Luck. Annotation ©2009 Book News, Inc., Portland, OR (booknews.com)
Part I. Interrogating the American "passion for the real": Witnessing the fall: September 11 and the crisis of the permeable self
Perpetual media wars: the cultural front in the wars on terror and drugs
Boring is the new interesting : September 11, realness, and the politics of authenticity in pop music
Representing the real on The road to Guantanamo
Part II. "Back to basics": reaffirming national myths: Tom Clancy, 24, and the language of autocracy
Lost--a post-September 11, post-oedipal American Jeremiad
"People have had enough tragedy": the spectacle of global heroism in Superman returns
Deal with it, sort of: the picture-book treatment of September 11
Part III. Embracing the complexity: deconstructing the war on terror: A day that will live in irony: September 11 and the war on humor
"I could smell the dawn of Armageddon when this dick was elected": hip-hop's oppositional voices in the war on terror
Attack of the livid dead: recalibrating terror in the post-September 11 zombie film
Nick Muntean and Matthew Thomas Payne; Interrogating the manipulation of fear: V for vendetta, Batman begins, Good night, & good luck, and America's "war on terror"
the war on terror apush
war on terror in pop culture
the american culture of war
popular culture and the good war
what is the culture war in america
Tags: The War, American, Popular Culture, Andrew Schopp, Matthew Hill
4.6
18 reviews
4.6
41 reviews
5.0
38 reviews
4.6
6 reviews
4.7
9 reviews
4.7
10 reviews