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(Ebook) The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music (Ernest Bloch Lectures 15) by Wye Jamison Allanbrook, Mary Ann Smart, Richard Taruskin ISBN 9780520274075, 9780520958876, 9781306859707, 0520274075, 052095887X, 1306859700

  • SKU: EBN-6728990
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Instant download (eBook) The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music (Ernest Bloch Lectures 15) after payment.
Authors:Wye Jamison Allanbrook, Mary Ann Smart, Richard Taruskin
Pages:382 pages.
Year:2014
Editon:1
Publisher:University of California Press
Language:english
File Size:8.94 MB
Format:pdf
ISBNS:9780520274075, 9780520958876, 9781306859707, 0520274075, 052095887X, 1306859700
Categories: Ebooks

Product desciption

(Ebook) The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music (Ernest Bloch Lectures 15) by Wye Jamison Allanbrook, Mary Ann Smart, Richard Taruskin ISBN 9780520274075, 9780520958876, 9781306859707, 0520274075, 052095887X, 1306859700

Wye Jamison Allanbrook’s The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin.
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