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(Ebook) The Haunted Screen Expressionism in the German Cinema and the Influence of Max Reinhardt 1st Edition by Lotte H Eisner, Roger Greaves ISBN 0520257901 9780520257900

  • SKU: EBN-4432264
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Instant download (eBook) The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt after payment.
Authors:Lotte H. Eisner, Roger Greaves
Pages:360 pages.
Year:2008
Editon:2nd Revised edition
Publisher:University of California Press
Language:english
File Size:115.87 MB
Format:pdf
ISBNS:9780520257900, 0520257901
Categories: Ebooks

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(Ebook) The Haunted Screen Expressionism in the German Cinema and the Influence of Max Reinhardt 1st Edition by Lotte H Eisner, Roger Greaves ISBN 0520257901 9780520257900

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ISBN 10: 0520257901 
ISBN 13: 9780520257900
Author: Lotte H Eisner, Roger Greaves

The Golden Age of German cinema began at the end of the First World War and ended shortly after the coming of sound. From The Cabinet of Dr. Caligari onwards the principal films of this period were characterized by two influences: literary Expressionism, and the innovations of the theatre directors of this period, in particular Max Reinhardt. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings. It discusses the influence of the theatre: the handling of crowds; the use of different levels, and of selective lighting on a predominately dark stage; the reliance on formalized gesture; the innovation of the intimate theatre. Against this background the principal films of the period are examined in detail. The author explains the key critical concepts of the time, and surveys not only the work of the great directors, such as Fritz Lang and F. W. Murnau, but also the contribution of their writers, cameramen, and designers. As The Times Literary Supplement wrote, 'Mme. Eisner is first and foremost a film critic, and one of the best in the world. She has all the necessary gifts.' And it described the original French edition of this book as 'one of the very few classics of writing on the film and arguably the best book on the cinema yet written.'

(Ebook) The Haunted Screen Expressionism in the German Cinema and the Influence of Max Reinhardt 1st Table of contents:

1 The Predisposition towards Expressionism 

2 The Beginnings of the Expressionist Film 
The Cabinet of Dr Caligari; Genuine; Von Morgens bis Mitternachts; Torgus;
Raskolnikow

3 The Spell of Light: the Influence of Max Reinhardt 
The Student of Prague (1913); Max Reinhardt; The Go/em (1920);
Die Chronik Pon Grieshuus; Vanina; Carl Boese on the special effects
for The Go/em

4 Lubitsch and the Costume Film 
!vfadame Dubarry; Sumurun; Anna Boleyn; Danton; Othello; Pola Negri

5 The Stylized Fantastic 
Der Miide Tod

6 The Symphonies of Horror 
Nosferatu; the demoniac bourgeois; the sway of the Doppelgiinger

7 'Decorative· Expressionism 
Waxworks; the concept of space; the obsession with corridors
and staircases; Paul Leni on set designing

8 The World of Shadows and Mirrors 
Warning Shadows; the Expressionist actor

9 Studio Architecture and Landscape 
Die Nibelungen; geometric grouping

10 The Expressionist Debut of a 'Realistic' Director 
Der Schatz

11 Kammerspielfilm and Stimmung 
Hintertreppe; Scherben; Sylvester; Paul Czinner; Elisabeth Bergner; Stimmung

12 Murnau and the Kammerspielfilm 
The Last Laugh; the mobile camera

13 The Handling of Crowds 
Metropolis; the influence of the Expressionist choruses and Piscator

14 The Fritz Lang Thriller 
Die Spinnen; Dr Mabuse der Spieler; Spione; Die Frau im Mond

15 Tragedies of the Street 
Die Strasse; The joyless Street; Asta Nielsen; Dirnentragiidie;
the Absolute film; Asphalt

16 The Evolution of the Costume Film 
Tartuffe

17 The Eye of the Camera in E.A. Dupont 
Das Alte Gesetz; Variety

18 The Climax of the Chiaroscuro 
Faust

19 Pabst and the Miracle of Louise Brooks 
Pandora's Box; Diary of a Lost Girl; Censorship and Pabst's realism

20 The Decline of the German Film 
The coming of sound; Die Dreigroschenoper; M; Das Testament
des Dr Mabuse; Miidchen in Uniform; the Ufa style; Leni Riefenstahl;
the post-Nazi era

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Tags: Lotte H Eisner, Roger Greaves, Expressionism, German Cinema, Max Reinhardt

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