logo
Product categories

EbookNice.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link.  https://ebooknice.com/page/post?id=faq


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookNice Team

The Creation, Diffusion, and Reception of Italian Art in the Early Modern Iberian World by Gallori, Corinna Tania & Navarrete Prieto, Benito instant download

  • SKU: EBN-236481454
Zoomable Image
$ 32 $ 40 (-20%)

Status:

Available

0.0

0 reviews
Instant download (eBook) The Creation, Diffusion, and Reception of Italian Art in the Early Modern Iberian World after payment.
Authors:Gallori, Corinna Tania & Navarrete Prieto, Benito
Pages:updating ...
Year:2025
Publisher:Routledge
Language:english
File Size:11.41 MB
Format:epub
Categories: Ebooks

Product desciption

The Creation, Diffusion, and Reception of Italian Art in the Early Modern Iberian World by Gallori, Corinna Tania & Navarrete Prieto, Benito instant download

This edited volume addresses the circulation of works of art, images, and ideas between the Iberian and Italian world and the subsequent responses this motion generated. Amongst the themes discussed are the concepts of centre and periphery, replicas and alterations, and how items and ideas were reinterpreted. The processes of appropriation and transformation create an artistic geography of identities in which originality can be studied through the processes of assimilation of images shared between Europe, Asia, and America. Chapters challenge the negative conceptualization of “copying” arguing that the “copy” is not simply a derivation but a new creation that is shaped by the interests and preferences of the receiver. Similarly, contributors argue for a more nuanced concept of what exactly an artistic centre is. The book will be of interest to scholars working in art history, Renaissance studies, and Iberian studies.
*Free conversion of into popular formats such as PDF, DOCX, DOC, AZW, EPUB, and MOBI after payment.

Related Products