(Ebook) The Complete Prose of T S Eliot The Critical Edition The Perfect Critic 1919 1926 T S Eliot edited 1st Edition by Anthony Cuda, Ronald Schuchard ISBN 9781421412955 1421412950

(Ebook) The Complete Prose of T S Eliot The Critical Edition The Perfect Critic 1919 1926 T S Eliot edited 1st Edition by Anthony Cuda, Ronald Schuchard ISBN 9781421412955 1421412950

(Ebook) The Complete Prose of T. S. Eliot: The Critical Edition: The Perfect Critic, 1919–1926 T. S. Eliot edited 1st Edition by Anthony Cuda, Ronald Schuchard- Ebook PDF Instant Download/Delivery:  9781421412955, 1421412950
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Product details: 

ISBN 10:   1421412950

ISBN 13: 9781421412955

Author: Anthony Cuda, Ronald Schuchard

The Perfect Critic, 1919–1926, the second volume of The Complete Prose of T. S. Eliot, presents Eliot’s major early literary criticism during a transformative period in modernist literature. This comprehensive scholarly edition compiles over 130 works, including both widely studied essays like “The Perfect Critic,” “Hamlet,” and “The Metaphysical Poets,” and previously unpublished or lesser-known pieces.

This volume reveals Eliot’s evolving views on literary standards, tradition, classicism, and poetic theory. It captures his engagement with key literary debates and his role as a critic who helped shape 20th-century literature. The edition is meticulously annotated and edited by Anthony Cuda and Ronald Schuchard, providing historical context, textual variants, and insightful commentary.

It is part of an eight-volume critical edition that aims to offer the most authoritative text of Eliot’s prose, supported by extensive archival research. This edition is essential for scholars of modernism, literary criticism, and Eliot's oeuvre.

Table of contents: 

1. Expostulations and Replies

2. Ecology Then and Now

3. The Science Wars, Ecology, and the Left

4. Art for Earth's Sake

5. What Do Nature Writers Want?

6. The Perfect Critic, 1919–1926: Introduction

7. Editorial Procedures and Principles

8. Acknowledgments

9. List of Abbreviations

10. List of Illustrations

11. Marivaux

12. The New Elizabethans and the Old

13. The Post-Georgians

14. American Literature

15. A Romantic Aristocrat

16. Kipling Redivivus

17. Kipling Redivivus. To the Editor of The Athenaeum

18. A Sceptical Patrician

19. Beyle and Balzac

20. Criticism in England

21. The Education of Taste

22. Reflections on Contemporary Poetry [IV]

23. Dante

24. The Criticism of Poetry. To the Editor of the TLS

25. The Poetic Drama

26. Philip Massinger

27. Artists and Men of Genius. To the Editor of The Athenaeum

28. The Perfect Critic

29. The Perfect Critic. To the Editor of The Athenaeum

30. A French Romantic. To the Editor of the TLS

31. The Possibility of a Poetic Drama

32. A Note on the American Critic

33. The French Intelligence

34. Introduction. The Sacred Wood: Essays on Poetry and Criticism

35. Autobiographical Note. Harvard College Class of 1910, Secretary's Fourth Report

36. The Romantic Englishman, the Comic Spirit, and the Function of Criticism

37. The Lesson of Baudelaire

38. Andrew Marvell

39. Prose and Verse

40. London Letter: March, 1921

41. London Letter: May, 1921

42. John Dryden

43. London Letter: July, 1921

44. London Letter: September, 1921

45. The Metaphysical Poets

46. The Metaphysical Poets. To the Editor of the TLS

47. Poets and Anthologies. To the Editor of the TLS

48. The Three Provincialities

49. London Letter: April, 1922

50. Letter from England (May 1922)

51. London Letter: June, 1922

52. London Letter: August, 1922

53. To the Editor of The Liverpool Daily Post and Mercury

54. Marie Lloyd

55. Letter from England: Style in Contemporary English Prose (Dec 1922)

56. To the Editor of The Daily Mail

57. To the Literary Editor of The Chicago Daily News

58. Dramatic Characters

59. To the Literary Editor of The Globe and Commercial Advertiser

60. John Donne

61. Ben Jonson. To the Editor of The Nation and the Athenaeum

62. The Function of a Literary Review

63. Contemporary English Prose

64. Andrew Marvell. A review of Miscellaneous Poems

65. The Function of Criticism

66. The Classics in France - and in England

67. The Beating of a Drum

68. Ulysses, Order, and Myth

69. A Preface to Modern Literature

70. Letter from England (Nov 1923)

71. Marianne Moore

72. To the Editor of The Transatlantic Review

73. Four Elizabethan Dramatists

74. A Prediction in Regard to Three English Authors

75. A Commentary (Apr 1924)

76. A Commentary (July 1924)

77. An untitled review of The Growth of Civilization and The Origin of Magic and Religion

78. A Commentary (Oct 1924)

79. Preface to Homage to John Dryden

80. A Neglected Aspect of Chapman

81. A Brief Introduction to the Method of Paul Valéry

82. A Commentary (Jan 1925)

83. On the Eve: A Dialogue [with Vivien Eliot]

84. A Commentary (Apr 1925)

85. The Ballet

86. Meeting

87. Why Rural Verse

88. Autobiographical Note. Harvard College Class of 1910, Quindecennial Report

89. English Satire

90. An Italian Critic on Donne and Crashaw

91. Shakespeare and Montaigne

92. Wanley and Chapman

93. The Clark Lectures: Author's Preface

94. Lecture I: Introduction

95. Lecture II: Donne and the Middle Ages

96. Lecture III: Women and the Fourteenth Century

97. Lecture IV: The Conceit in Donne

98. Lecture V: Donne's Longer Poems

99. Lecture VI: Crashaw

100. Lecture VII: Cowley and the Transition

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