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0 reviewsIt does so by treating Ruiz's work – with its surrealist, magic realist, popular cultural, and neo-Baroque sources – as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media.
It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.
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