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Available4.7
18 reviewsIn the part of the book dealing with chamber music the material has been somewhat arbitrarily arranged according to combinations of instruments. The string quartets, the pianoforte trios, quartets, and quintets, the sonatas for violin and piano, and other combinations have been treated separately. The selection of some works for a more or less detailed discussion, and the omission of even the mention of others, will undoubtedly seem unjustifiable to some; but the editor trusts at least that those he has chosen for discussion may illumine somewhat the general progress of chamber music from the time of Haydn to the present day.
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