(Ebook) Subjectivity in Motion Life Art and Movement in the Work of Hermann Rorschach 1st Edition by Naamah Akavia ISBN 0415536235 9780415536233

(Ebook) Subjectivity in Motion Life Art and Movement in the Work of Hermann Rorschach 1st Edition by Naamah Akavia ISBN 0415536235 9780415536233

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ISBN 10: 0415536235 
ISBN 13: 9780415536233
Author: Naamah Akavia

The motif of human movement has long been understood as central to Hermann Rorschach’s strikingly innovative inkblot experiment. But owing to Rorschach’s untimely death a year after publishing his famous work, Psychodiagnostics, the world has lacked an adequate understanding of how he came to put so much stress on human movement in his unique perceptual theory. Now historian Naamah Akavia changes that with her illuminating study of the intellectual and clinical development of this Swiss pioneer. Based on new archival researches and an unprecedented appreciation for Rorschach’s milieu and his times, Subjectivity in Motion: Life, Art, and Movement in the Work of Hermann Rorschach is destined to become an instant classic in the history of psychology and psychiatry—and an important new contribution to our understanding of how movement figures in modernity generally. The historian will appreciate the intricate analysis of Rorschach’s engagement with a wide variety of figures and movements ranging from Mourly Vold and Freud to Jung and Eugen Bleuler, from schizophrenia to Russian Futurism and Eurhythmics, from the word association experiment to the works of Alfred Kulbin and Ferdinand Hodler. But it is the psychologist who will benefit most profoundly from this richly detailed exploration, for the topic of human movement, how it is perceived, and how that figures in personality generally will never quite look the same again.

(Ebook) Subjectivity in Motion Life Art and Movement in the Work of Hermann Rorschach 1st Table of contents:

1. Introduction
2. Movement in the Inkblot Experiment
3. Rorschach's Erlebnistypus
4. Why focus on movement?
5. Recognizing “the M”
6. Rorschach's conceptualization of kinaesthesia
7. The discourses of kinaesthesia
8. Reflex-hallucinations and kinaesthesia
9. Movement between subject and object
10. Projection and movement
11. Movement and intuition
12. The epistemology of the inkblot experiment
13. Computation
14. Rorschach's discussion of the protocol
15. The Swiss Complex: Rorschach's Inkblot Experiment and the Burghölzli
16. The Bleulerian synthesis
17. Association experiments in the laboratory and the clinic
18. The Wundtian experimental model
19. Kraepelin's experimental program for psychiatry
20. The word-association experiment in the Burghölzli: between Leipzig, Paris, and Vienna
21. Technique and theory
22. Complexes, the unconscious, and dissociation
23. Typology and embodiment
24. The Burghölzli word-association experiment in action
25. The Rorschach inkblot experiment and the Burghölzli's experimental culture
26. The inkblot experiment vsersus the word-association experiment
27. Movement in the Psychiatric Clinic: Between Catatonia and Paranoia
28. Bleuler's notion of schizophrenia
29. Schizophrenia in the mental asylum: Rorschach's psychiatric praxis
30. Rorschach's conceptualization of schizophrenia
31. The case of Niehans
32. Freud, Rorschach, and repression
33. Catatonia and paranoia in the case of Niehans
34. Rorschach and Niehans between psychoanalysis and biology
35. Schreber and Freud
36. Schreber versus Niehans
37. The father, the son, and schizophrenia
38. Catatonia and the modern condition
39. Catatonia in the cases of Schreber and Niehans
40. Concluding remarks
41. Movement in Art: The Birth of Modernity Out of the Spirit of Primitivism
42. Experience and creation
43. Art and schizophrenia
44. The Russian episode
45. Russian Futurism
46. Primitivism, childhood, and Futurism
47. Movement in the art of Ferdinand Hodler
48. Ferdinand Hodler and the inkblot experiment
49. Movement as metaphor
50. Rhythm, motion and emotion
51. Painting Eurhythmics
52. Contemporary rhythm discourses
53. Moving within, feeling without
54. Empathy and rhythm in the inkblot experiment
55. Chanee and symmetry
56. Final thoughts
57. Afterword
58. Appendix to Chapter 5 “The Psychology of Futurism”

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Tags: Naamah Akavia, Subjectivity, Motion