(Ebook) Sound speech music in Soviet and post Soviet cinema 1st Edition by Kaganovsky Lilya, Masha Salazkina ISBN 0253011043 9780253011046

(Ebook) Sound speech music in Soviet and post Soviet cinema 1st Edition by Kaganovsky Lilya, Masha Salazkina ISBN 0253011043 9780253011046

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ISBN 10: 0253011043 
ISBN 13: 9780253011046
Author: Kaganovsky Lilya, Masha Salazkina

This innovative volume challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of the visual and the literary toward the recognition of acoustic culture as formative of the Soviet and post-Soviet experience. Leading experts and emerging scholars from film studies, musicology, music theory, history, and cultural studies examine the importance of sound in Russian, Soviet, and post-Soviet cinema from a wide range of interdisciplinary perspectives. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music theory, this book explores the cultural and historical factors that influenced the use of voice, music, and sound on Soviet and post-Soviet screens.

(Ebook) Sound speech music in Soviet and post Soviet cinema 1st Table of contents:

Part I. From Silence to Sound
1 From the History of Graphic Sound in the Soviet Union; or, Media without a Medium
2 Silents, Sound, and Modernism in Dmitry Shostakovich’s Score to The New Babylon
3 To Catch Up and Overtake Hollywood: Early Talking Pictures in the Soviet Union
4 ARRK and the Soviet Transition to Sound
5 Making Sense without Speech: The Use of Silence in Early Soviet Sound Film
Part II. Speech and Voice
6 The Problem of Heteroglossia in Early Soviet Sound Cinema (1930–35)
7 Challenging the Voice of God in World War II–Era Soviet Documentaries
8 Vocal Changes: Marlon Brando, Innokenty Smoktunovsky, and the Sound of the 1950s
9 Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema
Part III. Music in Film; or, The Sound Track
10 Kinomuzyka: Theorizing Soviet Film Music in the 1930s
11 Listening to Muzykal’naia istoriia (1940)
12 The Music of Landscape: Eisenstein, Prokofiev, and the Uses of Music in Ivan the Terrible
13 The Full Illusion of Reality: Repentance, Polystylism, and the Late Soviet Soundscape
14 Russian Rock on Soviet Bones

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Tags: Kaganovsky Lilya, Masha Salazkina, speech, Soviet