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Say Hello to Metamodernism!: Understanding Today's Culture of Hyper-Reflexivity, Ironesty, and Felt Experience by Greg Dember ISBN 9798989823529, 8989823528 instant download

  • SKU: EBN-238461010
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Instant download (eBook) Say Hello to Metamodernism!: Understanding Today's Culture of Hyper-Reflexivity, Ironesty, and Felt Experience after payment.
Authors:Greg Dember
Pages:322 pages
Year:2024
Publisher:Exact Rush Multimedia Publishing
Language:english
File Size:3.96 MB
Format:pdf
ISBNS:9798989823529, 8989823528
Categories: Ebooks

Product desciption

Say Hello to Metamodernism!: Understanding Today's Culture of Hyper-Reflexivity, Ironesty, and Felt Experience by Greg Dember ISBN 9798989823529, 8989823528 instant download

Say Hello to Metamodernism is a guided tour of one of the newer “isms”: metamodernism, the cultural period many say began emerging around the turn of the millennium, after irony-bound, depth-allergic postmodernism had lost much of its charm. By emphasizing qualities such as individual interiority – and by braiding playful irony or experimentation with an unabashed delight in the intricacies of being human – metamodern cultural products are said to engage and move beyond the conflict between postmodernism’s ironic relativism and its predecessor modernism’s adamant faith in progress and objectively knowable truth. Though the book is not a memoir, per se, the author, Greg Dember, weaves the story of his own encounters with society’s shifting aesthetic sensibilities into an exploration of representative metamodernist work by musicians such as Sufjan Stevens, Elliott Smith and Billie Eilish; by filmmakers like Miranda July and Wes Anderson and Greta Gerwig; by novelists such as Dave Eggers, Elif Batuman and Tope Folarin; and in television shows such as Buffy the Vampire Slayer, Bojack Horseman and Atlanta, while also covering how the metamodern sensibility is expressed in contemporary design, slang, religion and politics. Dember writes in a thoughtful, engaging style that is effective both at translating existing academic concepts into language meaningful to ordinary fans of the arts (and artists themselves) and introducing his original ideas about metamodernism to scholarly theorists of the arts and culture.

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