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14 reviews(Ebook) Reason and Horror Critical Theory Democracy and Aesthetic Individuality 1st Edition by Morto Schoolman - Ebook PDF Instant Download/Delivery: 9780203010891 ,0415930286
Full download (Ebook) Reason and Horror Critical Theory Democracy and Aesthetic Individuality 1st Edition after payment
Product details:
ISBN 10: 0415930286
ISBN 13: 9780203010891
Author: Morto Schoolman
(Ebook) Reason and Horror Critical Theory Democracy and Aesthetic Individuality 1st Edition Table of contents:
One Introduction: Reason and Horror
Individuality Before the Holocaust
Formal and Aesthetic Reason
Aesthetic Reason, Aesthetic Individuality, Aesthetic Sensibility
Reading Dialectic of Enlightenment
Aesthetic Individuality and the Aesthetics of Tragedy
From a Genealogy of Reason to Aesthetic Theory
Surfaces
Individuality as an Aesthetic Problem
Adorno: A Sensibility to Violence, Creativity without Form—Nietzsche: Creativity with Form, without a Sensibility to Violence
Whitman: The Aesthetic Problem from the Point of View of the Artist (the Creator)
Aesthetic Individuality in Democratic America
Individuality After the Holocaust
Part I Individuality Before the Holocaust
Two Reason as a “Murderous Principle”
Difference and the Birth of Thinking
Difference and Magical Thinking
Difference and Mythical Thinking
Difference and the Enlightenment of Modern Times
Three Dialectic of Enlightenment as a Genealogy of Reason
Rhetorical Overlay Versus Linear Historical Narrative
Individuals in Possession of Ourselves
A Conflict of the Faculties, Its Hierarchical Resolution, and Identity as Self-Contradiction
Self-Identity and the Triumph of Formal Reason
An Ideal Form of Aesthetic Individuality
Methodological Reflections on the Possibility of Aesthetic Individuality
Modern Subjectivity and Artless Thinking
Aesthetic Individuality as Art
“The Terrible Basic Text Homo Natura… the Eternal Basic Text Homo Natura”
The Task of Translation
Equivalence
Sublation
Forgetting and the Rise of Enlightenment as a System of Domination
The Autonomy of Formal Reason and Social Order
Genealogy, the Universalization of Formal Reason, and Private Property
Capitalism and Violence to Difference
Four Aesthetic Individuality by analogy: Dialectic of Enlightenment and the Birth and Death of Tragedy
“Spread Over Posterity Like a Shadow that Keeps Growing in the Evening Sun”
The Birth of Tragedy and the Concept of Aesthetic Individuality
Analogy from the Apollinian and the Dionysian: Art Deities and Forms of Thought
Analogy from the Greek Dionysian Festival: Aesthetic Form and Forms of Thought
Analogy from Attic Tragedy: The Ideal of Aesthetic Individuality
Analogy from “Aesthetic Socratism:” Socratic Reason and Enlightenment as “Murderous Principles”
Reconciliation and the Alliance Between Kant and Hegel, or Hegel Without The Absolute, Kant Without the Supersensible
Aesthetic Individuality and the Destruction of the Jews
Five Recovering Aesthetic Individuality from Art: Aesthetic Reason in Adorno'S Aesthetic Theory
The Aesthetics of Darkness
Beauty and the Unknown
Trace and the Unknown
Rationality, Mimesis, and the Unknown
Spirit and the Unknown
Expression and the Unknown
Reason and Darkness
No Trespassing
The Great Divide
“A Music whose Soul knows how to Roam and be at Home Among Great Beautiful Solitary Beasts of Prey”
Nietzsche's Dream, Adorno's Nightmare
The Marriage of Light and Dark
Part II Surfaces
Six An Ethic of Appearances
Up from the Depths, onto the Surfaces of the World
Nietzsche's Pure Surfaces
The Creative Will and Its Destruction of Depth
Into the Unknown
Nonidentity and the Unknown
Perspectivism and the Unknown
God and the Unknown
An Ethic of Appearances
Mystery, Wonder, and Delight in Appearances
Appearance and Difference
The Sufficiency, Equality, and Uniqueness of Appearances
An Intimacy with Appearances
Seven Individuality as a Poetic Form of Life
A Poetic form of Life
Every Existence has its Idiom
The Distant Brought Near
Representing a World
Representing Surfaces Descriptively
Representing Surfaces Metaphorically
Presenting a World
Forcing Surfaces and Depths
Attachment and Self-Creativity
Discontinuity
A Constitutive Interest in Difference
The Aesthetic Value of Surfaces and Nietzsche's Marriage of Light and Dark
Eight Democracy as an Aesthetic Form of Life
Technology, Modernity, and Difference
Democracy, Modernity, and Difference
Democracy, Difference, and Poetry
Democracy and Aesthetic Education
Democratic Time, Democratic Space
Nine Aesthetic Individuality as a Democratic Achievement
Tocqueville's Aesthetic Sensibility
Tocqueville's Blindness to Democratic Difference
The Large Differences of Aristocratic Societies
The Small Differences of Democratic Society
The Aesthetics of Small Differences
Democracy's Mimetic Dimension—Self-Creativity and Aesthetic Presentation as Imitation, or Individuality From the Point of View of the Artist (the Creator)
Representing Difference: A Sensibility to Violence in the Aesthetics of Individuality
Individuality's Orientation to the Surfaces of Small Differences
Individuality's All-Inclusive Orientation to Small Differences
Individuality's Orientation to the Equality, Sufficiency, and Uniqueness of Small Differences
Individuality's Receptivity to Small Differences
Attachment and Intimacy
Individuality's Indifference to Difference in Its Depths, the Unknown, and the Indeterminacy of Surfaces
The Logic of Identity “as” Difference
Aesthetic Individuality as a Democratic Achievement
Ten Conclusion Individuality After the Holocaust
A Morally Distinctive Democratic Individuality
The Moral and the Aesthetic
Notes
Index
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Tags: Morto Schoolman, Reason, Horror, Critical Theory, Aesthetic Individuality
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