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Status:
Available5.0
24 reviewsISBN 10: 0822393894
ISBN 13: 978-0822393894
Author: Sonnet Retman
Real Folks: Race and Genre in the Great Depression by Sonnet Retman explores how ideas of authenticity and “the folk” were constructed and challenged in 1930s American culture. Through analysis of literature, film, and satire—from authors like Zora Neale Hurston and George Schuyler to films by Preston Sturges and the Coen Brothers—Retman examines how race, genre, and mass media shaped national identity during the Depression era.
PART I: THE FOLKLORE OF RACIAL CAPITALISM
1. "A Combination Madhouse, Burlesque Show and Coney Island": The Color Question in George Schuyler's Black No More
2. "Inanimate Hideosities": The Burlesque of Racial Capitalism in Nathanael West's A Cool Million
PART II: PERFORMING THE FOLK
3. "The Last American Frontier": Mapping the Folk in the Federal Writers' Project's Florida: A Guide to the Southernmost State
4. "Ah Gives Myself de Privilege to Go": Navigating the Field and the Folk in Zora Neale Hurston's Mules and Men
PART III: POPULIST MASQUERADE
5. "Am I Laughing?": Burlesque Incongruities of Genre, Gender, and Audience in Preston Sturges's Sullivan's Travels
6. Afterpiece: The Coen Brothers' Ol'-Timey Blues in O Brother, Where Art Thou?
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Tags: Sonnet Retman, Real Folks, Race and Genre, Great Depression