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ISBN 10: 1841500798
ISBN 13: 9781841500799
Author: Robin Griffiths
This landmark collection draws together a number of accessible and insightful essays that explore, for the first time, an exciting new area of academic analysis and debate. Through case studies of key films and filmmakers, the contributors to this volume resituate discussions of queer representation and desire within a uniquely diverse and divergent European context. And raise many provocative questions about understandings of gender, sexuality and identity in film that spill across a variety of national borders, cultures and traditions. Topics include: - queer nationality and the films of François Ozon, Olivier Ducastel and Jacques Martineau – the sexual politics of post-communist Prague - depictions of the ‘Gay Bar’ in such films as Coming Out, Beautiful Thing and Les Nuits Fauves - queer performance and spectatorship in Lola und Bilidikid and Hamam - the Swedish ‘Drag King’ scene - Monika Treut and queer German cinema - the subversive poetics of Bavo Defurne and Matthias Müller - Dirk Bogarde and international queer stardom. 'Queer Cinema in Europe' demonstrates the vital yet under-valued role that European filmmakers have played in anticipating notions of queer subjectivity in the new millennium.
Part One: Queer Identities
Chapter 1: Queering the Family in François Ozon’s Sitcom
Chapter 2: Representing Gay Male Domesticity in French Film of the Late 1990s
Chapter 3: The Films of Ducastel and Martineau: Gay Identity, the Family, and the Autobiographical Self
Part Two: Queer Aesthetics
Chapter 4: The Body Picturesque: The Films of Bavo Defurne
Chapter 5: The Mechanical Reproduction of Melodrama: Matthias Müller’s ‘Home’ Movies
Chapter 6: The Animated Queer
Part Three: Queer Spaces
Chapter 7: Bars to Understanding?: Depictions of the ‘Gay Bar’ in Film with Specific Reference to Coming Out, Les nuits fauves, and Beautiful Thing
Chapter 8: Queer as Turk: A Journey to Three Queer Melodramas
Chapter 9: Bodies without Borders? Queer Cinema and Sexuality after the Fall
Chapter 10: School Is Out: British ‘Coming Out’ Films in the 1990s
Part Four: Queer Performances
Chapter 11: Trans-Europe Success: Dirk Bogarde’s International Queer Stardom
Chapter 12: Subjection and Power in Monika Treut and Elfi Mikesch’s Seduction – The Cruel Woman: An Extension of the Configuration of Power in Rainer Werner Fassbinder’s Late Oeuvre
Chapter 13: Berlin Is Running: Olympic Memories and Queer Performances
Chapter 14: Transgressive Drag Kings, Defying Dildoed Dykes: A Look at Contemporary Swedish Qu
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Tags: Robin Griffiths, Queer, Cinema
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