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(Ebook) Pictures of the catastrophe and catastrophic pictures : Through the theoretical perspectives of Günter Abel, Roland Barthes and Ulrich Baer an analysis of the pictorial production on the occasion of the 9/11 catastrophe in New York and the concept... by Oliver Mechcatie ISBN 9783736982857, 3736982852

  • SKU: EBN-51624734
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Instant download (eBook) Pictures of the catastrophe and catastrophic pictures : Through the theoretical perspectives of Günter Abel, Roland Barthes and Ulrich Baer an analysis of the pictorial production on the occasion of the 9/11 catastrophe in New York and the concept... after payment.
Authors:Oliver Mechcatie
Pages:257 pages.
Year:2016
Editon:1
Publisher:Cuvillier Verlag
Language:english
File Size:7.39 MB
Format:pdf
ISBNS:9783736982857, 3736982852
Categories: Ebooks

Product desciption

(Ebook) Pictures of the catastrophe and catastrophic pictures : Through the theoretical perspectives of Günter Abel, Roland Barthes and Ulrich Baer an analysis of the pictorial production on the occasion of the 9/11 catastrophe in New York and the concept... by Oliver Mechcatie ISBN 9783736982857, 3736982852

Die Katastrophe von 9/11 gab den Anstoß zu einer bis dato ungeheuren fotografischen Bilderflut. Deren mediale Verarbeitung im unmittelbaren Nachhall der Ereignisse hat sich tief in das kollektive Gedächtnis eingeprägt. Die Arbeit fokussiert am Beispiel dieser ‘katastrophalen Bildproduktion’ die Widersprüche der perzeptuellen Realisierung des Bildzeichens im Kontext der piktorialen Wende, die sich für die westliche Kultur im Allgemeinen diagnostizieren lässt. In den Analysen wird nun gezeigt, wie die Verwendung der Bilder zweier Bildgruppen (in der New York Times und im Bildarchiv “here is new york”) als Trauma verwirklicht wird.The catastrophe of 9/11 engendered a hitherto unknown immensity of photographic production. The medial processing of this production in the direct aftermath of the events deeply impacted the collective consciousness. This work focuses through the example of this ‘catastrophic pictorial production’ the contractions held within the perceptual realization of the pictorial sign in the context of the pictorial turn, which is diagnosed as taking place in the Western culture. In the analyses it is shown here how the application of the pictures of two pictorial groups (in The New York Times and the pictorial archive “here is new york”) is realized as a trauma.
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