(Ebook) Perspectives on Anton Bruckner by Crawford Howie, Paul Hawkshaw, Timothy Jackson ISBN 9781138263345, 1138263346

(Ebook) Perspectives on Anton Bruckner by Crawford Howie, Paul Hawkshaw, Timothy Jackson ISBN 9781138263345, 1138263346

Part One Theoretical Perspective and Compositional Practice - 1 A composer learns his craft: lessons in form and orchestration, 1861-3 - 2 Bruckner's Oktaven: the problem of consecutives, doubling, and orchestral voice-leading - Part Two Symphonist: Analytical Considerations - 3 The early version of the Second Symphony - 4 Master and disciple united: the 1889 Finale of the Third Symphony - 5 Continuity in the Fourth Symphony (first movement) - 6 The expressive role of disjunction: a semiotic approach to form and meaning in the Fourth and Fifth Symphonies - 7 'Harmonic daring' and symphonic design in the Sixth Symphony: an essay in historical musical analysis - 8 The Adagio of the Sixth Symphony and the anticipatory tonic recapitulation in Bruckner, Brahms and Dvořák - 9 Bruckner's free application of strict Sechterian theory with stimulation from Wagnerian sources: an assessment of the first movement of the Seventh Symphony - 10 Musical time in the Eighth Symphony - 11 The facts behind a 'legend': the Ninth Symphony and the Te Deum - Part Three Man, Musician and Reception - 12 On unity between Bruckner's personality and production - 13 Bruckner: the travelling virtuoso - 14 Students and friends as 'prophets' and 'promoters': the reception of Bruckner's works in the Wiener Akademische Wagner-Verein - 15 Anton Bruckner and 'German music': Josef Schalk and the establishment of Bruckner as a national composer - 16 Siegmund von Hausegger: a Bruckner authority from the 1930s - 17 Ludwig Wittgenstein's remarks on Bruckner - 18 Richard Wetz (1875-1935): a Brucknerian composer - Index