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(Ebook) Past for the Eyes East European Representations of Communism in Cinema and Museums after 1989 1st Edition by Peter Apor, Oksana Sarkisova ISBN 1435612361 9781435612365

  • SKU: EBN-1950230
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Instant download (eBook) Past for the Eyes: East European Representations of Communism in Cinema and Museums after 1989 after payment.
Authors:Peter Apor, Oksana Sarkisova
Pages:414 pages.
Year:2008
Editon:Hardcover
Language:english
File Size:10.9 MB
Format:pdf
ISBNS:9781435612365, 9789639776036, 1435612361, 9639776033
Categories: Ebooks

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(Ebook) Past for the Eyes East European Representations of Communism in Cinema and Museums after 1989 1st Edition by Peter Apor, Oksana Sarkisova ISBN 1435612361 9781435612365

(Ebook) Past for the Eyes East European Representations of Communism in Cinema and Museums after 1989 1st Edition by Peter Apor, Oksana Sarkisova - Ebook PDF Instant Download/Delivery: 1435612361, 9781435612365
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ISBN 10: 1435612361 
ISBN 13: 9781435612365
Author: Peter Apor, Oksana Sarkisova

How do post-communist museums and cinema contribute to shaping the image of a communist past in contemporary Central and Eastern Europe? This is the first systematic analysis of the use of visual techniques in grasping what the previous regime means. Museums and memorials started mushrooming all over East and Central Europe, in the former communist world, after the past was lost 1989. While reflecting on possible, actual meanings of the lost history the aim of shaping public opinion and discourse of the recent communist past also became apparent. Most of these undertakings--movies included--tried hard to make political use of recollections of the earlier world, and employed select tools from contemporary museological, memorializing and new-media practice to make their politicized intent historically credible. Thirteen essays from scholars in the region deal with the use of new media in shaping and fashioning popular perception of the previous era, and provide a fresh approach to the subject.

(Ebook) Past for the Eyes East European Representations of Communism in Cinema and Museums after 1989 1st Table of contents:

  1. Documents of Communism: Lost and Found

  2. The Man in the White Raincoat

  3. Communist Secret Services on the Screen: The Duna-gate Scandal in and beyond the Hungarian Media

  4. Façades: The Private and the Public in Kádár’s Kiss by Péter Forgács

  5. The Experiences of a Filmmaker: Reconstructing Reality from Documents in Communist Archives

  6. Subjects of Nostalgia: Selling the Past

  7. Out of the Past: Memories and Nostalgia in (Post-)Yugoslav Cinema

  8. Long Farewells: The Anatomy of the Soviet Past in Contemporary Russian Cinema

  9. The Economics of Nostalgia: Socialist Films and Capitalist Commodities in Contemporary Poland

  10. “We Have Democracy, Don’t We?”: Czech Society as Reflected in Contemporary Czech Cinema

  11. Objects of Memory: Museums, Monuments, Memorials

  12. The Redistribution of the Memory of Socialism: Identity Formations of the “Survivors” in Hungary after 1989

  13. Raising the Cross: Exorcising Romania’s Communist Past in Museums, Memorials and Monuments

  14. The “Unmemorable” and the “Unforgettable”: “Museumizing” the Socialist Past in Post-1989 Bulgaria

  15. Containing Fascism: History in Post-Communist Baltic Occupation and Genocide Museums

  16. How Is Communism Displayed? Exhibitions and Museums of Communism in Poland

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Tags: Peter Apor, Oksana Sarkisova, Eyes, European

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