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(Ebook) Our Nazis Representations Of Fascism In Contemporary Literature And Film 1st Edition by Petra Rau ISBN 0748668640 978-0748668649

  • SKU: EBN-11798072
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Authors:Petra Rau
Pages:225 pages.
Year:2013
Editon:1st Edition
Publisher:Edinburgh University Press
Language:english
File Size:1.74 MB
Format:pdf
ISBNS:9780748668649, 9780748668656, 9780748668663, 9781299710955, 0748668640, 0748668659, 0748668667, 1299710956, 978074866864
Categories: Ebooks

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(Ebook) Our Nazis Representations Of Fascism In Contemporary Literature And Film 1st Edition by Petra Rau ISBN 0748668640 978-0748668649

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Product details:

ISBN 10: 0748668640 

ISBN 13: 978-0748668649

Author: Petra Rau

An analysis of the resurgent cultural fascination with Nazism since 1989
Why has a fascination with fascism re-emerged after the Cold War? What is its cultural function now, in an era of commemoration? Focusing particularly on the British context, this study offers the first analysis of contemporary popular and literary fiction, film, TV and art exhibitions about Nazis and Nazism. Petra Rau brings this material into dialogue with earlier responses to fascism and demonstrates how, paradoxically, Nazism has been both mediated and mythologised to the extent that it now often replaces a critical engagement with actual, violent history.
In 5 thematic chapters on Nazi Noir, Men in Uniform, Vile Bodies, The Good German and Meta-Cinematic Farce, Rau provides close analysis of contemporary novels such as Jason Lutes’ graphic novel series Berlin, historical crime fiction by Philip Kerr and others, Robert Harris’ Fatherland, Ian McEwan’s Black Dogs and Justin Cartwright’s The Song Before It Is Sung; films such as Bryan Singer’s Valkyrie and Quentin Tarantino’s Inglorious Bastards; art installations including Mirroring Evil: Nazi Imagery / Recent Art, and Fucking Hell by Jake and Dinos Chapman; and Piotr Uklanski’s photo frieze, Untitled (The Nazis).
Key Features:

Broad interdisciplinary approach which includes literature, film, TV and artWide coverage of popular forms and High Art Comparison with earlier material about fascism which reaches back to the 1930s

Table of contents:

Chapter 1. Nazi Noir: Hardboiled Masculinity and Fascist Sensibility from Ambler and Greene to Philip Kerr

Chapter 2. The Fascist Corpus in the Age of Holocaust Remembrance: Robert Harris’s Fatherland and Ian McEwan’s Black Dogs

Chapter 3. “Fascism” as Excess and Abjection: Jonathan Littell’s The Kindly Ones

Chapter 4. The Good German: The Stauffenberg Plot and its Discontents

Chapter 5. “Operation Kino”: Quentin Tarantino’s Inglourious Basterds as Meta-cinematic Farce

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Tags: Petra Rau, Our Nazis, Representations, Fascism, Contemporary, Literature, Film

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