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Available4.9
11 reviewsDurational strata – a strategy of viewing a composition, or an entire style, through a “cross section” of its various note durations – is offered here. Its clearest example is found in the “Palestrina style”, but a similar phenomenon can be observed also in Baroque styles, which has some repercussions on tempo. Other tempo-determining factors, such as time signatures and tempo words in the music of J. S. Bach are surveyed and compared against tempo theories of Bach’s time, by Quantz and Kirnberger. The conclusions are used in the evaluation and critique of some present-day tempo philosophies. The aim of the present work is not to establish prescriptions for the “right” tempo in Bach’s music, but rather, from the angle of tempo, to gain a perspective on the much broader field of rhythm and rhythmic texture.
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