logo
Product categories

EbookNice.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link.  https://ebooknice.com/page/post?id=faq


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookNice Team

(Ebook) Mumford on Modern Art in the 1930s by Lewis Mumford ISBN 9780520248588, 9780520258082, 0520248589, 0520258088

  • SKU: EBN-2141966
Zoomable Image
$ 32 $ 40 (-20%)

Status:

Available

0.0

0 reviews
Instant download (eBook) Mumford on Modern Art in the 1930s after payment.
Authors:Lewis Mumford
Pages:281 pages.
Year:2007
Editon:1
Publisher:University of California Press
Language:english
File Size:1.58 MB
Format:pdf
ISBNS:9780520248588, 9780520258082, 0520248589, 0520258088
Categories: Ebooks

Product desciption

(Ebook) Mumford on Modern Art in the 1930s by Lewis Mumford ISBN 9780520248588, 9780520258082, 0520248589, 0520258088

Although Lewis Mumford is widely acknowledged as the seminal American critic of architecture and urbanism in the twentieth century, he is less known for his art criticism. He began contributing to this field in the early 1920s, and his influence peaked between 1932 and 1937, when he was art critic for the New Yorker. This book, for the first time, assembles Mumford's important art criticism in a single volume. His columns bring wit and insight to bear on a range of artists, from establishment figures like Matisse and Brancusi to relatively new arrivals like Reginald Marsh and Georgia O'Keeffe. These articles provide an unusual window onto the New York art scene just as it was casting off provincialism in favor of a more international outlook. On a deeper level, the columns probe beneath the surface of modern art, revealing an alienation that Mumford believed symptomatic of a larger cultural disintegration. Many of the themes Mumford addresses overlap with those of his more familiar architectural criticism: the guiding role of the past in stimulating creativity in the present, the increasing congestion of the modern metropolis, the alarming lack of human control over modern technology, and the pressing need to restore organic balance to everyday living. Though he was open to new movements emanating from Europe, Mumford became the chief advocate of a progressive American modernism that was both socially aware and formally inventive.
*Free conversion of into popular formats such as PDF, DOCX, DOC, AZW, EPUB, and MOBI after payment.

Related Products