Kerry James Marshall : history of painting by Marshall, Kerry James, 1955- artist, writer of supplementary textual content, Cole, Teju. writer of supplementary textual content; Foster, Hal, writer of supplementary textual content; David Zwirner LTD, host institution instant download

Kerry James Marshall : history of painting by Marshall, Kerry James, 1955- artist, writer of supplementary textual content, Cole, Teju. writer of supplementary textual content; Foster, Hal, writer of supplementary textual content; David Zwirner LTD, host institution instant download

92 pages : 26 x 24 cm, \"Kerry James Marshall is one of America's greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshall's critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Teju Cole and Hal Foster help readers navigate the artist's masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall's own artistic philosophy. This catalogue is published on the occasion of Marshall's eponymous exhibition at David Zwirner, London, in 2018.\"--Publisher's website, \"With a career spanning almost three decades, Kerry James Marshall is well known for his paintings depicting actual and imagined events from African-American history. His complex and multilayered portrayals of youths, interiors, nudes, housing estate gardens, land- and seascapes synthesize different traditions and genres, while seeking to counter stereotypical representations of black people in society. Marshall also produces drawings in the style of comic books, sculptural installations, photography, and video. As with his paintings, these works accumulate various stylistic influences to address the historiography of black art, while at the same time drawing attention to the fact that they are not inherently partisan because their subjects are black.\"--Publisher's website, Published on the occasion of the exhibition held at David Zwirner, London, October 3-November 10, 2018, Includes bibliographical references, Preface / Kerry James…