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(Ebook) Jazz from Socialist Realism to Postmodernism 1st Edition by Gertrud Pickhan, Yvetta Kajanová, Rüdiger Ritter ISBN 9783631671733 3631671733

  • SKU: EBN-43473152
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Instant download (eBook) Jazz from Socialist Realism to Postmodernism (Jazz under State Socialism) after payment.
Authors:Gertrud Pickhan (editor), Yvetta Kajanová (editor), Rüdiger Ritter (editor)
Pages:310 pages.
Year:2016
Editon:New
Publisher:Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Language:english
File Size:6.29 MB
Format:pdf
ISBNS:9783631671733, 3631671733
Categories: Ebooks

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(Ebook) Jazz from Socialist Realism to Postmodernism 1st Edition by Gertrud Pickhan, Yvetta Kajanová, Rüdiger Ritter ISBN 9783631671733 3631671733

(Ebook) Jazz from Socialist Realism to Postmodernism 1st Edition by Gertrud Pickhan, Yvetta Kajanová, Rüdiger Ritter - Ebook PDF Instant Download/Delivery: 9783631671733 ,3631671733
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ISBN 10: 3631671733
ISBN 13: 9783631671733
Author: Gertrud Pickhan, Yvetta Kajanová, Rüdiger Ritter

In the 20th century, jazz was an important artistic form. Depending on the particular European country, jazz music carried different social, political and aesthetic meanings. It brought challenges in the areas of racial issues, the politics of the Cold War between East and West, and in the exploration of boundaries of artistic freedom. In socialist Czechoslovakia, Yugoslavia, Hungary and Poland, the situation began to change after 1956 and then 1968, when the ideologists shifted from the aesthetics of socialist realism to postmodernism. In Western countries such as France and Italy, jazz transformed from a modern to a postmodern period. This volume deals with the impact of these changes on the career development of jazz musicians – even beyond 1989 – in terms of various phenomena such as emigration, child prodigies, multiculturalism, multi-genre approaches, or female jazz musicians.
 

(Ebook) Jazz from Socialist Realism to Postmodernism 1st Edition Table of contents:

I. The East and The West before 1989

Broadcasting Jazz into the Eastern Bloc – Cold War Weapon or Cultural Exchange? The Example of Wil

Jazz in France 1917–1929: the Missing Object of the Reception

Valaida Snow: The First Multi-Instrumentalist between America and Europe

The Emergence of the Nordic Concept as a Precursor of Emancipation and Slovak-Scandinavian Relations

Hungarian Free Jazz: Compositional and Improvisational Structures in the Music of György Szabados,

The Jazz Section and its Influence on the Development of Regional Cultures in Czechoslovakia before

Jazz Artists in the Former Czechoslovak Socialist Republic and Their Conflicts with the Socialist Id

The Different Careers of Slovak and Czech Jazz Musicians in the United States – Laco Déczi, Jan H

Classical Music and Jazz as Inspirations for Modern Music Fusions

Who Best Knows What Jazz Is? The Legacy of L’ubomír Tamaškovič, a Unique Slovak Jazzman in Post

II. The East and The West after 1989

Toni Kitanovski and Cherkezi Orchestra – Global and Local Intercourse

Strategies of Domination or Ways of Differentiation from Rivals in the Jazz Field

The Changing Face of Slovak Jazz

Jazz Personalities after the Downfall of the Iron Curtain: Matúš Jakabčic and His Contribution to

Penetration of Jazz into Various Genres and Subcultures

Jazz: Made in Europe

Peter Breiner – A Slovak Musician

Jazz: Labour versus Opus

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Tags: Gertrud Pickhan, Yvetta Kajanová, Rüdiger Ritter, Jazz, Socialist Realism, Postmodernism

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