logo
Product categories

EbookNice.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link.  https://ebooknice.com/page/post?id=faq


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookNice Team

(Ebook) Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century by Helmar Schramm, Ludger Schwarte, Jan Lazardzig (eds.) ISBN 9783110202403, 3110202409

  • SKU: EBN-5314280
Zoomable Image
$ 32 $ 40 (-20%)

Status:

Available

0.0

0 reviews
Instant download (eBook) Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century after payment.
Authors:Helmar Schramm, Ludger Schwarte, Jan Lazardzig (eds.)
Pages:575 pages.
Year:2008
Editon:1st
Publisher:Walter de Gruyter
Language:english
File Size:59.58 MB
Format:pdf
ISBNS:9783110202403, 3110202409
Categories: Ebooks

Product desciption

(Ebook) Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century by Helmar Schramm, Ludger Schwarte, Jan Lazardzig (eds.) ISBN 9783110202403, 3110202409

This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening of new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on what actually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate? which actions does the instrument make possible? - when do the objects of examination themselves become instruments? what skills are required to use an instrument, which skills does it produce? With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments. Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.
*Free conversion of into popular formats such as PDF, DOCX, DOC, AZW, EPUB, and MOBI after payment.

Related Products