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Available4.7
12 reviewsAt once a lively portrait of a lesser-known American "lost generation" and an examination of an important transitional moment in European cinema, the book presents a compelling argument for the significance of the blacklisted exiles to our understanding of postwar American and European cinema and Cold War cultural relations.
The experiences of the blacklisted in Europe not only suggest the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon, but, by shedding new light on European cinema's changing relationship with Hollywood, illuminates the postwar shift from national to "transnational" cinema"--