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Status:
Available4.7
27 reviews
ISBN 10: 1009399527
ISBN 13: 9781009399524
Author: Liam Cagney
Part I Grisey's Style
1 Grisey's Early Formation (1960-1966)
Grisey's Youth in Belfort
Studies at the Städtische Musikschule, Trossingen, 1964-1966
Preliminary Studies in Paris, 1965-1968
2 Messiaen's Class and New Music in Late 1960s Paris (1967-1970)
Messiaen's Class
Grisey's camarades de classe
Serialism and Beyond
The Paris Conservatoire after May '68
Point-radiant
Trends in New Music in France in 1969
Messiaen's personnages sonores as the Roots of Grisey's Spectral Figures
Grisey's Student Works
3 Statistical Serialism and Vagues, chemins, le souffle (1970-1972)
Serialism's Move towards Statistical Thought
Boulez as Threshold
Xenakis's Influence on Grisey
4 On the Threshold: D'eau et de pierre (1972)
The Compositional Process
Meditative Music in 1972
Darmstadt Summer Courses 1972
D'eau et de pierre
Part II Spectral Music
5 Psychoacoustics and the New Compositional Framework (1973-1974)
Life at the Villa Medici
Murail's Student Compositions
Grisey's Rome Sketches
Psychoacoustics and the Mutation of Statistical Serialism into Spectralism
The Composition of Dérives
6 L'Itinéraire and Synthetic Music (1973-1976)
The Domaine Musical's Demise and l'Itinéraire's Rise
The Premiere of Grisey's Périodes (1974)
Psychoacoustics, Information Theory, and Synthetic Music
A New Musical Movement
7 New Dimensions (1976-1978)
Grisey and Murail as Leaders of the New Style
Dufourt, Levinas, Tessier, and Spectralist Diversity
8 Spectral Music and écriture liminale (1979-1982)
Dufourt's musique spectrale
Grisey and Dufourt's Aesthetic-Theoretical Correspondence
Murail's Spectral Music
Grisey's écriture liminale
Ma fin est mon commencement
Conclusion
Bibliography
Index
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Tags: Liam Cagney, Gerard, Grisey
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