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9 reviewsThis book aims to account for some of the major critical contexts within which sequelisation operates by exploring sequel production beyond box office figures. Its account ranges across sequels in recent mainstream cinema, art-house and ‘indie’ sequels, non-Hollywood sequels, the effects of the domestic market on sequelisation, and the impact of the video game industry on Hollywood.
The book:*Situates the sequel within its industrial, cultural, theoretical and global contexts.*Offers an essential resource for students and critics interested in film and literary studies, adaptation, critical theory and cultural studies.*Provides the first study of film sequels in world cinemas and independent film-making.