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ISBN 10: 0826436420
ISBN 13: 9780826436429
Author: David Martin Jones
Shortlisted for the British Association of Film, Television and Screen Studies Annual Book Award! Deleuze's Cinema books continue to cause controversy. Although they offer radical new ways of understanding cinema, his conclusions often seem strikingly Eurocentric. Deleuze and World Cinemas explores what happens when Deleuze's ideas are brought into contact with the films he did not discuss, those from Europe and the USA (from Georges Méliès to Michael Mann) and a range of world cinemas - including Bollywood blockbusters, Hong Kong action movies, Argentine melodramas and South Korean science fiction movies. These emergent encounters demonstrate the need for the constant adaptation and reinterpretation of Deleuze's findings if they are to have continued relevance, especially for cinema's contemporary engagement with the aftermath of the Cold War and the global dominance of neoliberal globalization.
Spectacle I: Attraction-Image
Chapter 1 The Attraction-Image: From Georges Méliès to the Spaghetti Western
History: Deleuze After Dictatorship
Chapter 2 The Child seer in and as History: Argentine Melodrama
Chapter 3 Folding and Unfolding History: South Korean Time Travel Movies
Space: Geopolitics and the Action-Image
Chapter 4 Not Just Any-space-whatever: Hong Kong and the Global/Local Action-Image
Chapter 5 Globalization's Action Crystals: Los Angeles in Michael Mann Blockbusters
Spectacle II: Masala-Image
Chapter 6 The Masala-Image: Popular Indian (Bollywood) Cinema
Conclusion: The Continuing Adventures of Deleuze and World Cinemas
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Tags: David Martin Jones, Deleuze, Cinemas