(Ebook) Danto and his Critics, Second Edition by Ernest Lepore(eds.) ISBN 9780470673447, 9781118253045, 0470673443, 1118253043

(Ebook) Danto and his Critics, Second Edition by Ernest Lepore(eds.) ISBN 9780470673447, 9781118253045, 0470673443, 1118253043

Updated and revised, the Second Edition of Danto and His Critics presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for The Nation.Reflects Danto's revisions in his theory of art, reworking his views in ways that have not been systematically addressed elsewhereFeatures essays that critically assess the changes in Danto's thoughts and locate Danto's revised theory in the larger context of his work and of aesthetics generallySpeaks in original ways to the relation of Danto's philosophy of art to his theory of mindConnects and integrates Danto's ideas on the nature of knowledge, action, aesthetics, history, and mind, as well as his provocative thoughts on the philosophy of art for the readerContent: Chapter 1 Danto as Systematic Philosopher, or Comme on Lit Danto En Francais (pages 13–29): David CarrierChapter 2 Danto's Gallery of Indiscernibles (pages 30–39): Richard WollheimChapter 3 The Invisible Content of Visual Art (pages 41–54): Mark RollinsChapter 4 Deja vu all Over Again (pages 55–68): Jerry A. FodorChapter 5 Surface and Deep Interpretation (pages 69–83): Peg Brand and Myles BrandChapter 6 “Other Pictures we Look at, – His Prints we Read” (pages 84–108): Lydia GoehrChapter 7 A Tale of Two Artworlds (pages 109–117): George DickieChapter 8 Essence, Expression, and History (pages 118–145): Noel CarrollChapter 9 Danto's New Definition of Art and the Problem of Art Theories (pages 146–152): Noel CarrollChapter 10 Danto and Kant (pages 153–171): Diarmuid CostelloChapter 11 Atomism, Art, and Arthur (pages 172–196): Robert C. Solomon and Kathleen M. HigginsChapter 12 Art and Its Doubles (pages 197–214): Gary ShapiroChapter 13 The Beginning of the End (pages 215–231): Daniel HerwitzChapter 14 Danto's Aesthetic (pages 232–247): David CarrierChapter 15 Art as Religion (pages 249–266): Richard ShustermanChapter 16 Looking beyond the Visible (pages 267–282): Carlin RomanoChapter 17 Replies to Essays (pages 283–311): Arthur C. Danto