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EbookNice Team
Status:
Available0.0
0 reviewsISBN 10: 0470012161
ISBN 13: 978-0470012161
Author: Mark D. Fairchild
There is an ever-increasing demand for a standard way to transport colours among devices on the Internet, and for achieving colour fidelity across digital media. The rapid growth in colour imaging technology has led to the emergence of colour management systems. These systems require colour appearance models so that images produced in one medium and viewed in a particular environment, may be reproduced in a second medium and viewed under different conditions.
The eagerly anticipated second edition of Colour Appearance Models brings the fundamental issues and current solutions in the area of colour appearance modelling together in a single place for those needing to solve practical problems or looking for background for ongoing research projects. This book provides the relevant information for an updated review of colour appearance and provide details of many of the most widely used models to date, for example, Nayatani et al., Hunt, and RLAB and the ATD and LLAB appearance models that are of increasing interest for some applications. It also includes the recently formulated CIECAM02 model that represents a significant improvement of CIECAM97S and is the best possible model based on current knowledge. Fairchild presents an updated overview of device-independent colour imaging and finally introduces the concept of image appearance modelling as a potential future direction for colour appearance modelling research.
A website accompanies this text that lists developments, publications and calculations related to the material in this book.
1 Human Color Vision
1.1 Optics of the Eye
1.2 The Retina
1.3 Visual Signal Processing
1.4 Mechanisms of Color Vision
1.5 Spatial and Temporal Properties of Color Vision
1.6 Color Vision Deficiencies
1.7 Key Features for Color Appearance Modeling
2 Psychophysics
2.1 Psychophysics Defined
2.2 Historical Context
2.3 Hierarchy of Scales
2.4 Threshold Techniques
2.5 Matching Techniques
2.6 One-Dimensional Scaling
2.7 Multidimensional Scaling
2.8 Design of Psychophysical Experiments
2.9 Importance in Color Appearance Modeling
3 Colorimetry
3.1 Basic and Advanced Colorimetry
3.2 Why is Color?
3.3 Light Sources and Illuminants
3.4 Colored Materials
3.5 The Human Visual Response
3.6 Tristimulus Values and Color Matching Functions
3.7 Chromaticity Diagrams
3.8 CIE Color Spaces
3.9 Color Difference Specification
3.10 The Next Step
4 Color Appearance Terminology
4.1 Importance of Definitions
4.2 Color
4.3 Hue
4.4 Brightness and Lightness
4.5 Colorfulness and Chroma
4.6 Saturation
4.7 Unrelated and Related Colors
4.8 Definitions in Equations
4.9 Brightness-Colorfulness vs Lightness-Chroma
5 Color Order Systems
5.1 Overview and Requirements
5.2 The Munsell Book of Color
5.3 The Swedish Natural Color System (NCS)
5.4 The Colorcurve System
5.5 Other Color Order Systems
5.6 Uses of Color Order Systems
5.7 Color Naming Systems
6 Color Appearance Phenomena
6.1 What Are Color Appearance Phenomena?
6.2 Simultaneous Contrast, Crispening, and Spreading
6.3 Bezold-Brücke Hue Shift (Hue Changes with Luminance)
6.4 Abney Effect (Hue Changes with Colorimetric Purity)
6.5 Helmholtz-Kohlrausch Effect (Brightness Depends on Luminance and Chromaticity)
6.6 Hunt Effect (Colorfulness Increases with Luminance)
6.7 Stevens Effect (Contrast Increases with Luminance)
6.8 Helson-Judd Effect (Hue of Nonselective Samples)
6.9 Bartleson-Breneman Equations (Image Contrast Changes with Surround)
6.10 Discounting the Illuminant
6.11 Other Context and Structural Effects
6.12 Color Constancy?
7 Viewing Conditions
7.1 Configuration of the Viewing Field
7.2 Colorimetric Specification of the Viewing Field
7.3 Modes of Viewing
7.4 Unrelated and Related Colors Revisited
8 Chromatic Adaptation
8.1 Light, Dark, and Chromatic Adaptation
8.2 Physiology
8.3 Sensory and Cognitive Mechanisms
8.4 Corresponding-colors Data
8.5 Models
8.6 Computational Color Constancy
9 Chromatic Adaptation Models
9.1 von Kries Model
9.2 Retinex Theory
9.3 Nayatani et al. Model
9.4 Guth's Model
9.5 Fairchild's Model
9.6 Herding CATS
9.7 CAT02
10 Color Appearance Models
10.1 Definition of Color Appearance Models
10.2 Construction of Color Appearance Models
10.3
CIELAB
10.4 Why Not Use Just CIELAB?
10.5 What About CIELUV?
11The Nayatani et al. Model
11.1 Objectives and Approach
11.2 Input Data
11.3 Adaptation Model
11.4 Opponent Color Dimensions
11.5 Brightness
11.6 Lightness
11.7 Hue
11.8 Saturation
11.9 Chroma
11.10 Colorfulness
11.11 Inverse Model
11.12 Phenomena Predicted
11.13 Why Not Use Just the Nayatani et al. Model?
12 The Hunt Model
12.1 Objectives and Approach
12.2 Input Data
12.3 Adaptation Model
12.4 Opponent Color Dimensions
12.5 Hue
12.6 Saturation
12.7 Brightness
12.8 Lightness
12.9 Chroma
12.10 Colorfulness
12.11 Inverse Model
12.12 Phenomena Predicted
12.13 Why Not Use Just the Hunt Model?
13 The RLAB Model
13.1 Objectives and Approach
13.2 Input Data
13.3 Adaptation Model
13.4 Opponent Color Dimensions
13.5 Lightness
13.6 Hue
13.7 Chroma
13.8 Saturation
13.9 Inverse Model
13.10 Phenomena Predicted
13.11 Why Not Use Just the RLAB Model?
14 Other Models
14.1 Overview
14.2 ATD Model
14.3 LLAB Model
15 The CIE Color Appearance Model (1997), CIECAM97s
15.1 Historical Development, Objectives, and Approach
15.2 Input Data
15.3 Adaptation Model
15.4 Appearance Correlates
15.5 Inverse Model
15.6 Phenomena Predicted
15.7 The ZLAB Color Appearance Model
15.8 Why Not Use Just CIECAM97s?
16 CIECAM02
16.1 Objectives and Approach
16.2 Input Data
16.3 Adaptation Model
16.4 Opponent Color Dimensions
16.5 Hue
16.6 Lightness
16.7 Brightness
16.8 Chroma
16.9 Colorfulness
16.10 Saturation
16.11 Cartesian Coordinates
16.12 Inverse Model
16.13 Implementation Guidelines
16.14 Phenomena Predicted
16.15 Why Not Use Just CIECAM02?
16.16 Outlook
17 Testing Color Appearance Models
17.1 Overview
17.2 Qualitative Tests
17.3 Corresponding Colors Data
17.4 Magnitude Estimation Experiments
17.5 Direct Model Tests
17.6 CIE Activities
17.7 A Pictorial Review of Color Appearance Models
18 Traditional Colorimetric Applications
18.1 Color Rendering
18.2 Color Differences
18.3 Indices of Metamerism
18.4 A General System of Colorimetry?
19 Device-independent Color Imaging
19.1 The Problem
19.2 Levels of Color Reproduction
19.3 A Revised Set of Objectives
19.4 General Solution
19.5 Device Calibration and Characterization
19.6 The Need for Color Appearance Models
19.7 Definition of Viewing Conditions
19.8 Viewing-conditions-independent Color Space
19.9 Gamut Mapping
19.10 Color Preferences
19.11 Inverse Process
19.12 Example System
19.13 ICC Implementation
20 Image Appearance Modeling and The Future
20.1 From Color Appearance to Image Appearance
20.2 The iCAM Framework
20.3 A Modular Image-difference Model
20.4 Image Appearance and Rendering Applications
20.5 Image Difference and Quality Applications
20.6 Future Directions
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