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(Ebook) Class Acts: Service and Inequality in Luxury Hotels by Rachel Sherman ISBN 9780520247819, 9780520247826, 0520247817, 0520247825

  • SKU: EBN-1366840
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Instant download (eBook) Class Acts: Service and Inequality in Luxury Hotels after payment.
Authors:Rachel Sherman
Pages:380 pages.
Year:2007
Editon:1
Publisher:University of California Press
Language:english
File Size:2.37 MB
Format:pdf
ISBNS:9780520247819, 9780520247826, 0520247817, 0520247825
Categories: Ebooks

Product desciption

(Ebook) Class Acts: Service and Inequality in Luxury Hotels by Rachel Sherman ISBN 9780520247819, 9780520247826, 0520247817, 0520247825

I just finished reading Class Acts: Service and Inequality in Luxury Hotels, and I mean reading it: Acknowlegments, Introduction, Chapters 1-6, Conclusion, Appendices A, B & C, and Notes. Okay, I did not read References and Index, but close enough. What a great ethnography! What a great voice! The writer, Rachel Sherman, manages to be impressively objective and fair as she observes and participates in the service economy of the luxury hotel. Since I am an arm chair-bleeding heart liberal, I wanted there to be a clear demarcation between "good guys" and "bad guys," but Sherman paints a far more complicated and nuanced picture of the social dynamics at work in the luxury service sector. As a result, the Conclusion provides a satisfying critique, since it is in this section that Sherman lets her views be known. I find this admirable because it indicates this researcher's ability to distinguish between observation, analysis, and critique. Class Acts is a scholarly work, yet the writing style is extremely lucid. Yes, the author uses jargon -- intersubjectivity, habitus, interpellated -- but what is really cool is how Sherman uses language to mirror some of the class distinctions she is writing about, at times conveying theory and abstraction and at others conveying terms like "ripped off" and "pissed." The contrast is refreshing. Sherman also does an excellent job of sign postng. In a straightforward way, she reminds the reader of who is who, foreshadows ideas to come, and acknowledges ideas previously introduced. I found all these textual reminders to be helpful. Not only that, but Sherman offers advice on how to tip in the Notes. Finally, the author does a great job weaving the motif of movies and image making throughout the text -- from Pretty Woman to My Dinner with Andre -- to underscore both the transformative power of the luxury hotel setting and the nature of work and class distinctions.
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