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(Ebook) Cathay: A Critical Edition 1st edition by Ezra Pound 0823281396 9780823281398

  • SKU: EBN-56120674
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Authors:Ezra Pound
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(Ebook) Cathay: A Critical Edition 1st edition by Ezra Pound 0823281396 9780823281398

Cathay: A Critical Edition 1st edition by Ezra Pound - Ebook PDF Instant Download/DeliveryISBN:  0823281396, 9780823281398 

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ISBN-10 :  0823281396 

ISBN-13 : 9780823281398

Author:  Ezra Pound 

Finalist, Pegasus Award for Poetry Criticism Ezra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American literature, at the same time creating a thirst for classical Chinese poetry in English. Pound’s dynamic free-verse translations in a modern idiom formed the basis for T.S. Eliot’s famous claim that Pound was the “inventor of Chinese poetry for our time.” Yet Pound achieved this feat without knowing any Chinese, relying instead on word-for-word “cribs” left by the Orientalist Ernest Fenollosa, whose notebooks reveal a remarkable story of sustained cultural exchange. This fully annotated critical edition focuses on Pound’s astonishing translations without forgetting that the original Chinese poems are masterpieces in their own right. On the one hand, the presentation of all that went into the final Cathay makes it possible for the first time to appreciate the magnitude and the nuances of Pound’s poetic art. At the same time, by bringing the final text together with the Chinese and Old English poems it claims to translate, as well as the manuscript traces of Pound's Japanese and American interlocutors, the volume also recovers practices of poetic circulation, resituating a Modernist classic as a work of world literature. The Pound text and its intertexts are presented with care, clarity, and visual elegance. By providing the first accurate and unabridged transcriptions of Fenollosa’s notebooks, along with carefully edited Chinese texts, the volume makes it possible to trace the movements of poetic ideas and poetic expression as they veer toward and away from Pound’s creations. In supplying the full Fenollosa texts, the volume overturns decades of scholarship that has mystified Pound’s translation process as a kind of “clairvoyance,” displaying instead the impressive amount of sinological learning preserved in Fenollosa’s hard-to-read notebooks and by detailing every deviation from the probable sense of the originals. The edition also supplies exhaustive historical, critical, and textual notes, clarifying points that have sometimes lent obscurity to Pound’s poems and making the process of translation visible even for readers with no knowledge of Chinese. Cathay: A Critical Edition includes the original fourteen Chinese translations as well as Pound’s unique version of “The Seafarer,” which is fully annotated alongside its Anglo-Saxon source. Also included are Pound’s fifteen additional Chinese translations from Lustra and other contemporary publications, his essay “Chinese Poetry” (1919), a substantial textual Introduction, and original essays by Christopher Bush and Haun Saussy on international modernism, the mediation of Japan, and translation. The meticulous treatment and analysis of the texts for this landmark edition will forever change how readers view Pound’s “Chinese” poems. In addition to discoveries that permanently alter the scholarly record and force us to revise a number of critical commonplaces, the critical apparatus allows readers to make fresh discoveries by making available the specific networks through which poetic expression moved among hands, languages, and media. Ultimately, this edition not only enables us more fully to appreciate a canonical work of Modernism but also resituates the art of Pound’s translations by recovering the historical circulations that went into the making of a multiply authored and intrinsically hybrid masterpiece.

 

Cathay: A Critical Edition 1st table of contents:

  1. Foreword: The Archive of Cathay
  2. Introduction: From the Decipherings
  3. Editor’s Introduction: Cracking the Crib
  4. CATHAY (1915)
  5. Front Matter to Cathay
  6. Song of the Bowmen of Shu
  7. The Beautiful Toilet
  8. The River Song
  9. The River Merchant’s Wife: A Letter
  10. The Jewel Stairs’ Grievance
  11. Poem by the Bridge at Ten-shin
  12. Lament of the Frontier Guard
  13. Exile’s Letter
  14. The Seafarer
  15. Four Poems of Departure: “Light rain is on the light dust”
  16. Separation on the River Kiang
  17. Taking Leave of a Friend
  18. Leave-Taking near Shoku
  19. The City of Choan
  20. South-Folk in Cold Country
  21. Back Matter to Cathay
  22. FROM LUSTRA (1916): THE CHINESE POEMS
  23. Additions to Cathay
  24. Sennin Poem by Kakuhaku
  25. A Ballad of the Mulberry Road
  26. Old Idea of Choan by Rosoriu
  27. To-Em-Mei’s “The Unmoving Cloud”
  28. Miscellaneous Poems
  29. After Chu Yuan
  30. Liu Ch’e
  31. Fan Piece, For Her Imperial Lord
  32. Ts’ai Chi’h
  33. Ancient Wisdom Rather Cosmic
  34. Epitaphs
  35. THE LITTLE REVIEW (1918): TWO TRANSLATIONS
  36. Dawn on the Mountain
  37. Wine
  38. CRIBS FOR CATHAY & OTHER POEMS
  39. Editorial Conventions
  40. Front Matter to Cathay
  41. Song of the Bowmen of Shu (Classic of Poetry 詩經 167)
  42. The Beautiful Toilet (attrib. Mei Sheng 枚乘)
  43. The River Song (Li Bo 李白)
  44. The River Merchant’s Wife: A Letter (Li Bo 李白)
  45. The Jewel Stairs’ Grievance (Li Bo 李白)
  46. Poem by the Bridge at Ten-shin (Li Bo 李白)
  47. Lament of the Frontier Guard (Li Bo 李白)
  48. Exile’s Letter (Li Bo 李白)
  49. The Seafarer (Anonymous)
  50. Four Poems of Departure
  51. “Light rain is on the light dust”
  52. Separation on the River Kiang (Li Bo 李白)
  53. Taking Leave of a Friend (Li Bo 李白)
  54. Leave-Taking near Shoku (Li Bo 李白)
  55. The City of Choan (Li Bo 李白)
  56. South-Folk in Cold Country (Li Bo 李白)
  57. Back Matter to Cathay
  58. Sennin Poem by Kakuhaku (Guo Pu 郭璞)
  59. A Ballad of the Mulberry Road (Anonymous)
  60. Old Idea of Choan by Rosoriu (Lu Zhaolin 盧照鄰)
  61. To-Em-Mei’s “The Unmoving Cloud” (Tao Yuanming 陶淵明)
  62. After Chu Yuan (屈原 Qu Yuan)
  63. Liu Ch’e (Liu Che 劉徹)
  64. Fan Piece, For Her Imperial Lord (attrib. Ban Jieyu 班婕妤)
  65. Ts’ai Chi’h (Pound)
  66. Ancient Wisdom Rather Cosmic (Li Bo 李白)
  67. Epitaphs / Fu I (Fu Yi 傅奕) and Li Po (Pound)
  68. Dawn on the Mountain (Wang Wei 王維)
  69. Wine (Li Bo 李白)
  70. CHINESE POETRY (1918) EZRA POUND

 

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Tags: Cathay, Critical, Ezra Pound, modernism, world literature

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