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Available4.4
7 reviewsContributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker.
Chapters include:
the 'Psycho Thriller'
the British censors and horror cinema
femininity and horror film fandom
witchcraft and the occult in British horror
Horrific films and 1930s British Cinema
Peter Walker and Gothic revisionism.
Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
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