logo
Product categories

EbookNice.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link.  https://ebooknice.com/page/post?id=faq


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookNice Team

(Ebook) Blacksound: Making Race and Popular Music in the United States by Morrison, Matthew D. ISBN 9780520390591, 0520390598

  • SKU: EBN-56265214
Zoomable Image
$ 32 $ 40 (-20%)

Status:

Available

4.7

16 reviews
Instant download (eBook) Blacksound: Making Race and Popular Music in the United States after payment.
Authors:Morrison, Matthew D.
Pages:320 pages.
Year:2024
Editon:1
Publisher:University of California Press
Language:english
File Size:33.78 MB
Format:pdf
ISBNS:9780520390591, 0520390598
Categories: Ebooks

Product desciption

(Ebook) Blacksound: Making Race and Popular Music in the United States by Morrison, Matthew D. ISBN 9780520390591, 0520390598

A new concept for understanding the history of the American popular music industry. Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface. Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake--for creators and audiences alike--in revisiting the long history of American popular music.
*Free conversion of into popular formats such as PDF, DOCX, DOC, AZW, EPUB, and MOBI after payment.

Related Products