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(Ebook) A Bushel of Pearls: Painting for Sale in Eighteenth-Century Yangchow by Ginger Cheng-chi Hsü ISBN 9780804732529, 0804732523

  • SKU: EBN-55543262
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Instant download (eBook) A Bushel of Pearls: Painting for Sale in Eighteenth-Century Yangchow after payment.
Authors:Ginger Cheng-chi Hsü
Pages:336 pages.
Year:2002
Editon:1
Publisher:Stanford University Press
Language:english
File Size:18.18 MB
Format:pdf
ISBNS:9780804732529, 0804732523
Categories: Ebooks

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(Ebook) A Bushel of Pearls: Painting for Sale in Eighteenth-Century Yangchow by Ginger Cheng-chi Hsü ISBN 9780804732529, 0804732523

Painting in eighteenth-century Yangchow, a city that dominated the political and economic scene of mid-Qing China, has traditionally been viewed as the product of a group of nonconformist, “eccentric” artists who were supported by wealthy merchants.This book, however, does not focus on the creative energy of the individual artist, the rise of the Yangchow school of painting, or patronage narrowly defined. Rather, it studies eighteenth-century Yangchow paintings as artistic products shaped by collective social and cultural experiences, and by constant exchanges between the artists and their audience. The author examines the paintings as commodities, revealing the mechanism of their exchange and the values negotiated, and she interprets the paintings in a framework that moves beyond economics into the social, political, historical, and literary contexts of their creation and appreciation.The book begins by considering merchant patrons long associated with the Yangchow school of painting, and goes on to reveal that there were patrons from lower socioeconomic levels who were, in fact, perhaps the major consumers of Yangchow painting. The author then discusses four artists who exemplify the diversity of backgrounds and artistic traditions of Yangchow painters and patrons.Fang Shih-shu represents the traditional scholar painter of conservative orthodox landscapes. Huang Shen, by contrast, represents painters with craftsman backgrounds who mingle the values of the literati with the technical skill of artisans. The last two painters, Cheng Hsieh and Chin Nung, represent the emergence of new types of artists who adopted painting as an occupation and commercialized both their artistic products and their personal cultural refinement and literati status.
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